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Nirvana - Incesticide

Nirvana - Incesticide
Performer: Nirvana
Genre: Rock
Title: Incesticide
MP3 album size: 1224 mb
FLAC album size: 2684 mb
Style: Grunge
Country: Venezuela
Released: 1999
Catalog number: DGCD-24504
Label: DGC, Universal

Tracklist


1Sliver2:16
2Dive3:55
3Aneurysm4:35
4Stain2:40
5Beeswax2:50
6Son Of A Gun
Written-By – Eugene Kelly, Frances McKee
2:48
7Big Long Now5:03
8Molly's Lips
Written-By – Eugene Kelly, Frances McKee
1:54
9Aero Zeppelin4:41
10(New Wave) Polly1:48
11Hairspray Queen4:13
12Mexican Seafood1:55
13Downer1:43
14Been A Son1:55
15Turnaround
Written-By – G. Casale, M. Mothersbaugh
2:19

Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
DGCD-24504Nirvana Incesticide ‎(CD, Comp)DGCDGCD-24504US1992
noneNirvana Incesticide ‎(Cass, Comp, Unofficial)Not On Label (Nirvana)noneBulgariaUnknown
GEFMD-24504Nirvana Incesticide ‎(CD, Comp, RE)Geffen RecordsGEFMD-24504CanadaUnknown
GEF-204504Nirvana Incesticide ‎(LP, Comp, Ltd, Unofficial, Red)Geffen Records GEF-204504Europe1992
DGCD-24504Nirvana Incesticide ‎(CD, Comp, RP)DGCDGCD-24504USUnknown
CategoryArtistTitle (Format)LabelCategoryCountryYear
noneNirvana Incesticide ‎(Cass, Comp, Unofficial)Not On Label (Nirvana)noneBulgariaUnknown
GEFMD-24504Nirvana Incesticide ‎(CD, Comp, RE)Geffen RecordsGEFMD-24504CanadaUnknown
TMS 24504Nirvana Incesticide ‎(Cass, Comp)Geffen RecordsTMS 24504Argentina1992
GEF-204504Nirvana Incesticide ‎(LP, Comp, Ltd, Unofficial, Red)Geffen Records GEF-204504Europe1992
DGCD-24504Nirvana Incesticide ‎(CD, Comp, RP)DGCDGCD-24504USUnknown
CategoryArtistTitle (Format)LabelCategoryCountryYear
DGCD-24504Nirvana Incesticide ‎(CD, Comp)DGCDGCD-24504US1992
noneNirvana Incesticide ‎(Cass, Comp, Unofficial)Not On Label (Nirvana)noneBulgariaUnknown
GEFMD-24504Nirvana Incesticide ‎(CD, Comp, RE)Geffen RecordsGEFMD-24504CanadaUnknown
TMS 24504Nirvana Incesticide ‎(Cass, Comp)Geffen RecordsTMS 24504Argentina1992
GEF-204504Nirvana Incesticide ‎(LP, Comp, Ltd, Unofficial, Red)Geffen Records GEF-204504Europe1992

Credits


  • EngineerFred Kay (tracks: 5 to 7), John Taylor (tracks: 4, 8, 15), Mike Engles (tracks: 5 to 7)
  • Mastered ByHowie Weinberg
  • Painting [Cover Painting]Kurdt Kobain
  • Photography By [Live Photo]Charles Peterson
  • ProducerDale Griffin (tracks: 5 to 7), Jack Endino (tracks: 2, 9 to 14), Miti Adhikari (tracks: 4, 8, 15)
  • Art DirectionRobert Fisher
  • EngineerFred Kay (tracks: 5 to 7), John Taylor (tracks: 4, 8, 15), Mike Engles (tracks: 5 to 7)
  • Liner NotesKurdt
  • Mastered ByHowie Weinberg
  • Painting [Cover Painting]Kurdt Kobain
  • Photography By [Live Photo]Charles Peterson
  • ProducerButch Vig (tracks: 1), Dale Griffin (tracks: 5 to 7), Jack Endino (tracks: 2, 9 to 14), Miti Adhikari (tracks: 4, 8, 15), Steve Fisk (tracks: 3)
  • Written-ByDave Grohl (tracks: 8, 15), Chris Novoselic (tracks: 1 to 4, 8, 10, 13 to 15), Kurt Cobain (tracks: 1 to 4, 8 to 15)
  • Art DirectionRobert Fisher
  • EngineerFred Kay (tracks: 5 to 7), John Taylor (tracks: 4, 8, 15), Mike Engles (tracks: 5 to 7)
  • Liner NotesKurdt
  • Mastered ByHowie Weinberg
  • Painting [Cover Painting]Kurdt Kobain
  • Photography By [Live Photo]Charles Peterson
  • ProducerButch Vig (tracks: 1), Dale Griffin (tracks: 5 to 7), Jack Endino (tracks: 2, 9 to 14), Miti Adhikari (tracks: 4, 8, 15), Steve Fisk (tracks: 3)
  • Written-ByDave Grohl (tracks: 8, 15), Chris Novoselic (tracks: 1 to 4, 8, 10, 13 to 15), Kurt Cobain (tracks: 1 to 4, 8 to 15)

Notes


Tracks 5, 6 & 7 are from the John Peel Session.
Tracks 4, 8 & 15 are from the Mark Goodier Session.

© ℗ 1992 The David Geffen Company
℗ 1991, 1990 BBC
℗ 1992, 1990, 1989, 1988 Sub Pop Ltd.
℗ 1988 Nirvana
℗ 1999 Hecho y distribuido por Universal Music Venezuela S.A. A Universal Music Company.Unknown Country
White ShellTracks 5, 6 & 7 are from the John Peel Session.
Tracks 4, 8 & 15 are from the Mark Goodier Session.
Mastered at Masterdisk, NYC.

© ℗ 1992 The David Geffen Company
℗ 1991, 1990 BBC
℗ 1992, 1990, 1989, 1988 Sub Pop Ltd.
℗ 1988 Nirvana
Made in U.S.A.

Some of the first copies were contained in a long cardboard box, or "longbox".Argentinian Cassette Edition
Spanish Titles
Clear ShellTracks 5, 6 & 7 from the John Peel Session;
Tracks 4, 8 & 15 from the Mark Goodier Session,
released by arrangement with BBC Enterprises Ltd.

Comes in jewel case with 4 pages inlay.

Not for sale outside Ukraine.

Tracks durations were taken from the PC.

Running Time: 44:35Tracks 5, 6 & 7 from the John Peel Session;
Tracks 4, 8 & 15 from the Mark Goodier Session, released by arrangement with BBC Enterprises Ltd.
Mastered at Masterdisk, NYC.
© 1992 The David Geffen Company, an MCA Company.
Produced by special arrangement with Sub Pop Records.

4 pages booklet. Jewel case with black tray.

Barcodes


  • Barcode: 720642450499
  • Distribution Code: F: BM650
  • Distribution Code: D: QB
  • Matrix / Runout: Astra330901
  • Mastering SID Code: IFPI LU003
  • Mould SID Code: IFPI UAD02
  • Barcode (Text): 7 2064-24504-2 0
  • Barcode (Scanned): 720642450420
  • Matrix / Runout (Mirrored): DIDX-015356 1
  • SPARS Code: AAD
  • Rights Society: BMI
  • Barcode (Text): 7 2064-24504-2 0
  • Matrix / Runout: ST 500-159
  • Label Code: LC 7266
  • Rights Society: BIEM GEMA
  • Distribution Code (German Distribution Code 'D: '): QB
  • Distribution Code (French Distribution Code 'F: '): BM650
  • SPARS Code: AAD
  • Barcode: 720642450420
  • Depósito Legal: FD 43699303

Companies


  • Manufactured By – Universal Music Venezuela S.A.
  • Distributed By – Universal Music Venezuela S.A.
  • Copyright (c) – The David Geffen Company
  • Phonographic Copyright (p) – The David Geffen Company
  • Phonographic Copyright (p) – Universal Music Venezuela S.A.
  • Phonographic Copyright (p) – Sub Pop Ltd.
  • Phonographic Copyright (p) – Nirvana
  • Phonographic Copyright (p) – BBC
  • Distributed By – Electrosonora Manufacturas Saavedra S.A.
  • Manufactured By – Electrosonora Manufacturas Saavedra S.A.
  • Mastered At – Masterdisk
  • Copyright (c) – The David Geffen Company
  • Phonographic Copyright (p) – The David Geffen Company
  • Copyright (c) – BBC
  • Copyright (c) – Sub Pop Ltd.
  • Copyright (c) – Nirvana
  • Pressed By – Astra – 330901
  • Distributed By – ТОВ "Астра Рекордс"
  • Distributed By – Астра
  • Manufactured By – Uni Distribution Corp.
  • Distributed By – Uni Distribution Corp.
  • Copyright (c) – The David Geffen Company
  • Phonographic Copyright (p) – The David Geffen Company
  • Phonographic Copyright (p) – BBC
  • Phonographic Copyright (p) – Sub Pop Ltd.
  • Phonographic Copyright (p) – Nirvana
  • Mastered At – Masterdisk
  • Glass Mastered At – DADC – DIDX-015356
  • Mastered At – Masterdisk

Video

Album


15 tracks 44:40. Electric Octopus Driving Under embodies the free space of punk more than any Nirvana album: part outsider visual art, part punk fanzine, thrillingly raw. Metallica - Nothing Else is a compilation album by the American rock band Nirvana. It consists of their 1990 non-album single Sliver, B-sides, demos, outtakes, covers, and radio broadcast recordings. bruuce73. It consists of songs recorded between 1988 and 1991, including selections from the Blew and Hormoaning EPs, as well as previously unreleased songs. It arrived at the end of a batshit year for Cobain and Courtney Love, who were married that February, just over a month after Nevermind hit its zenith, knocking Michael Jackson out of the No. Формируйте собственную коллекцию записей 1992 15 Songs. Incesticide Tracklist. It was released on December 14, 1992 in Europe, and December 15, 1992 in the U. Electric Octopus Driving Under free to Nirvana Incesticide Dive, Sliver and more. Electric Octopus Driving Under is a compilation album by the American rock band Nirvana. It was widely reported in the music press that the band wanted to offer fans a higher-quality alternative, but in the book Cobain Unseen, Charles R. Формируйте собственную коллекцию записей Nirvana. The album was released on December 14, 1992, in Europe, and December 15, 1992, in the United States. Incesticide is a compilation album released by Nirvana in 1992. ROCK 0002. Cross reveals that Kurt Cobain agreed to the release of this compilation because he was allowed complete. Rock 1992. Listen free to Nirvana Incesticide Dive, Sliver and more. Incesticide is a rarities compilation released on December 14, 1992. Back to Music. Incesticide consists of demos, outtakes, and radio broadcast recordings. Incesticide tells a different story: It forms a snapshot of Nirvana pre-Nevermind, the same band you see goofing around in a cha-cha line with Sonic Youth and dramatically eating grapes in David Markeys classic tour doc 1991: The Year Punk Broke. Откровенных хитов за исключением, пожалуй, Silver и Aneurysm нет. Все песни на уровне, который Nirvana задала предыдущим альбомом, но вот в чем беда: после прослушивания Nevermind, Incesticide не звучит вообще. Early in 1992, Jonathan Poneman of Sub Pop contacted Gary Gersh, who had previously signed Nirvana to DGC Records, to inform him that Sub Pop still had a number. After all, this was a band that was born equally from '70s sludge metal, bubblegum pop, post-punk artiness, and indie rock inclusiveness, each of which are apparent on this collection. Incesticide is a compilation album by the American rock band Nirvana. free to Nirvana Incesticide Dive, Sliver and more. Incesticide Q&A. Album 1992 15 Songs. 1 spot on the Billboard charts. Released December 14, 1992. Incesticide is a compilation album by the American grunge band Nirvana. At the time, all of the material on Incesticide was circulating within fan communities albeit in lower quality. The album debuted at 51 and eventually reached number 39 in the Billboard Top 200. Artwork and packaging The Incesticide album art features a painting by Kurt Cobain on its front cover. Ответить Уведомлять о новых ответах 1 Helpful. is a compilation album released by Nirvana in 1992. Buying time and thwarting bootleggers, Nirvana and DGC released the rarities compilation Incesticide toward the end of 1992. Released: 1992. Like any odds'n'sods collection, this is uneven, but that's its charm since it captures Nirvana's character better than any official album. It eventually reached number 39 on the Billboard 200. Nirvana - Incesticide 1992. Seek out this original if you want the absolute best this album can sound. Dive Lyrics. Incesticide embodies the free space of punk more than any Nirvana album: part outsider visual art, part punk fanzine, thrillingly raw. Metal Mind Records. Incesticide Cass, Comp. Но и пенять особо не на что, потому что альбом записан качественно, хоть и представляет собой смесь ранее не издававшихся песен и записей в других студиях. 15 tracks 44:26
Uickabrod
Finally found my copy. https://www.discogs.com/Nirvana-Incesticide/release/2026948Think this is the release! Happy days ????
Rich Vulture
I have a copy of this on a dark ish yellow vinyl & I’m not exactly sure what year it was released on? I’ll have to find it in my collection & upload a few pictures. Bought a good few years back, but unsure of the year of pressing. Great album though! ????
Maridor
Looking for a copy of this, preferably NM or close, with Kurt's notes in the booklet.
Wat!?
He probably should of waited for Chris Bellman to recut this LP. He probably would of shot someone else. Sounding really nice.
Enone
Reissue coming out in January per SRC Vinyl. 2 LP Black wax.https://www.srcvinyl.com/nirvana-incesticide-2xlp.html
Garr
This is the record that represents Nirvana's sound adequately. While "Bleach" was constructed in accordance to the developing "grunge" scene in the late 80's (relying heavily on stripped down 70's heavy-cock-rock riffs and omitting their pop sensitivity), "Nevermind" was primarily produced for a wider audience of alternative music and mangled the band's punk roots. "In Utero" may be regarded as a compromise between the previous two records but simultanously represents the effort of a whorn-out, disillusioned band that lacks the unburdened approach to music. The latter is reflected in each track on the "Incesticide" compilation. So, if you are looking for the immaculately pure "Nirvana" record, this one is highly recommended.
Buridora
i own Incesticide ‎(LP, Comp, Unofficial, Red), Geffen Records (2),GEF-204504 Europe 1992. When b side started, i noticed on the b side definitely not nirvana playing on it.Is anyone know about this realase?
Use_Death
I have this 2. Bought it in 2010/2011 in Belgium. I know it is not anOfficial release, but not sure which of these it would fall under. It's using some of these same issue numbers..Anyway, mine has different music on side A. 3 tracks, which I used the music app Sound Hound to identify. They are from Saint Vitus. One song was called White Magic/Black Magic.
Drelahuginn
I remember seeing an interview with Kurt where he said he thought of Nirvana as a punk band, or that he wanted them to be more like one. This surprised me because back then I was younger and didn't really think about the labels that the industry slaps on things to promote them, and I "knew" that Nirvana was 'grunge' or 'alternative', which were the buzz words of the day. I knew this because I saw them call it that on MTV. So I hear him say it is punk or that they follow punk ethics, and I was like 'whaaaaa?'. I never thought of them as having anything to do with 'punk'. Yet, if you look at their music, it really did have a more stripped down sound to it, as the song structures were straight-forward and the music itself was pretty simple too. Bleach mostly relied on Kurts anguished and powerful vocal delivery (just check out 'Negative Creep'), paranoid and generally dark lyrics, dirty guitar tones, and over-all grungy sound. These things painted a kind of powerful emotional (although possibly confused and very flawed) picture. To me that album could be called 'punk' as per the ideas usually associated with older punk (pre-90s) music. Then came Nevermind. Someone at Geffen saw potential in Kurt, and with the raw emotion oozing out of those vocals (Bleach), who wouldn't? So they give his band a deal. Set him up with a producer, and proceed to tease a more 'mainstream' friendly album out of the band. All of that post-production probably has something to do with it too. I find it pretty funny that Grohl is known for his heavy drums, but they actually overdubbed drum samples over his drums on Nevermind!? Sounds sacrilegious doesn't it? Read some interviews one the subject and you will start to see that a lot of the sound of Nevermind came from post-production. When I first heard Kurt say he didn't like the album I thought 'yeah, right', thinking he just said that to look like a typical intellectual 'artist', shunning his own fame and wealth yet in all honesty loving every second of it. Now I can see it though. It DOES sound like a bubblegum pop record compared to Bleach. Then comes Incesticide. A loose collection of the more rare tracks from earlier in their career. The Bleach era, mostly. Is it a coincidence that they too sound more in alignment with the 'punk ethic'? They come off as quickly executed, wham-bam, yet energetic tracks. If you check out any of complete pre-Nevermind recording sessions that have leaked out (or tracks on the box set), they too exhibit this attitude. Sure, Nevermind is still composed of straight-forward songs with simple music, but the sound and overall attitude is so *polished* and radio-friendly. This was more because of Geffen Records' demands and less to do with the band members themselves. Basically, I feel that the irony is that while Incesticide is a little known disc from the world famous band, it may be the most representative of them. It is at least more representative of them than Nevermind, their more famous release. Check out any of their live performances and see. I will say that In Utero did go in a new direction from this to something further removed from 'punk', but I think that album is great too and still more honest of a representation of where the band was at when it came out, than Nevermind was when it came out. Incesticide is full of simple, grungy, straight-forward, slightly 'punky' songs, and is a fun listen. Kurts vocals usually give their songs an edge over any similarly crafted ones from other lesser bands.
Breder
A few things - Late on in his life Cobain said that he would like to be seen as a singer/songwriter in the sense of, for example, Johnny Cash more than being regarded as part of punk rock. Looking at some of his best work, the Unplugged concert and songs like "Polly", "About A Girl", "Dumb" etc. I find it reasonable to believe - I couldn't find that quote though. Geffen actually won a bidding war between labels, cause it was pretty obvious they're gonna be a big thing. I agree that Nevermind is poorly produced and even though the song material is 10/10 in itself it's an overrated album because of the production. Apparently at the time he just wanted to have the record out and the band didn't have all the power over the record anyway. Bleach would've been different too by Cobain's likings by the way. If one considers all the versions available on bootlegs and the "With The Lights Out" set there are better ones for about every song on Nevermind. Something that cannot be said of the other albums, especially In Utero sounds superb in my opinion.
Ironrunner
Nirvana's Incesticide tends to be glossed over when people talk about Nirvana, because it doesn't contain the classics "Smells Like Teen Spirit," "Heart-Shaped Box," or "Rape Me." However, Incesticide is worth getting if you have already have Nevermind of In Utero. At the first listen, you'll notice that the production values are different. The songs are in a more raw form, and sometimes, the balance is off, making some songs really bass-heavy while some of them lack the bottom end. This gives Incesticide much variety. In addition to the depressed grunge normally associated with the band, there are also some optimistic-sounding punk songs. Some notable songs include the following: "Sliver" is a grunge song with some punk influences. The lyrics don't make much sense to me, but they sound kind of humorous. "Molly's Lips" and "Son Of A Gun" are the punk gems that really stand out on this album. First of all, they are clearly much more punk than grunge, and they're pretty optimistic, which is a big deviation from the depressing grunge on the rest of the album. These two tracks are definitely worth listening to. This album is the punky brother to Nevermind and In Utero. Personally, I think the other two are better made and they sound better, but the three songs I cited above are especially good. This isn't a fantastic album, but it is an enjoyable one.
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